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The Moon Represents My Heart: Music, Memory and Belonging focuses on the transformative power of music identity in immigrant Chinese communities from 1850s to the present. During this period, disparate music genres converged with historic milestones, including changes in U.S. immigration legislation and China’s soft power emergence. The exhibition delves into how Chinese immigrant communities have yearned for the ‘old country’, fashioned new American identities, or challenged stereotypes through their embrace of music forms as far-reaching as Cantonese opera, hip hop, Asian American Movement music, Taiwan love ballads, Canto-pop, western classical, karaoke, Beijing underground rock, and many other genres.

The exhibition is co-curated by Hua Hsu, staff writer at The New Yorker, and MOCA’s curatorial team: Herb Tam, Curator and Director of Exhibitions, and Andrew Rebatta, Associate Curator.

Starts
May 2, 2019
Ends
September 29, 2019
Category

Installation Views

Installation view of The Moon Represents My Heart: Music, Memory and Belonging at MOCA
Installation view of The Moon Represents My Heart: Music, Memory and Belonging at MOCA
Installation view of The Moon Represents My Heart: Music, Memory and Belonging at MOCA
Installation view of The Moon Represents My Heart: Music, Memory and Belonging at MOCA
Installation view of The Moon Represents My Heart: Music, Memory and Belonging at MOCA
Installation view of The Moon Represents My Heart: Music, Memory and Belonging at MOCA
Installation view of The Moon Represents My Heart: Music, Memory and Belonging at MOCA
Installation view of The Moon Represents My Heart: Music, Memory and Belonging at MOCA
Installation view of The Moon Represents My Heart: Music, Memory and Belonging at MOCA
Installation view of The Moon Represents My Heart: Music, Memory and Belonging at MOCA
Installation view of The Moon Represents My Heart: Music, Memory and Belonging at MOCA
Installation view of The Moon Represents My Heart: Music, Memory and Belonging at MOCA
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Chinese Medicine in America

Converging Ideas, People and Practices

April 26, 2018September 16, 2018

Zhang Hongtu, Story of One Circle, 1983, Ink, gouache and acrylic on rice paper, Courtesy of the artist